instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

WHAT THE WALRUS SAID--Our Authors' Blog--

PARSING A THRILLER

I’ve been thinking: what does a story mean?

It’s because I just published a new novel, Caliban Rising—it’s a thriller, and I hope it means: “Keep turning those pages!”

You sneak onto a mysterious Caribbean island. Nice beaches, but nasty murders. Maybe you get hurled out of a Black Hawk helicopter, or fed to the island’s feral Bengal tiger. Also, there are creepy robots….

Will you survive?

Every thriller, I think, underneath, means just that: danger besets us.

We lead thriller lives.  Read More 

Be the first to comment

WHAT? SOMEBODY KILLED ROGER ACKROYD?

Edmund Wilson, Literary Critic

Edmund Wilson, the eminent literary critic, said detective stories are junk.

Ouch—I've just published a mystery novel, "Spider's Web in the Green Mountains." More to the point, I’m a long-time mystery reader.

It was 1945 when Wilson huffed about detective stories. I just looked it up. That was when books still mattered, and literary critics, like Edmund Wilson, actually could be eminent. So attention must be paid.

Wilson cited an Agatha Christie novel, "The Murder of Roger Ackroyd," and posed a zingy question: “Who cares who killed Roger Ackroyd?” He also said that “…the reading of detective stories is simply a kind of vice that, for silliness and minor harmfulness, resides somewhere between smoking and crossword puzzles.”

Actually, I also don’t care who killed Roger Ackroyd. Mostly, I’m in it for the adventure. In real life, I get edgy crossing a city street—I like virtual adventure, in which somebody else dodges .45 slugs.

I’m also drawn by the mystery ambience, the sense that, beneath the mundane, run strong currents, deep and dark.

Stories hinging on unlikely tangles are popular, but I’m more simple-minded. I like my stories straight up—Hey, that could really happen!

I wonder, too, if the mystery genre hasn’t evolved since Wilson’s day, when he complained the characters were “all simply names on a page.” Some modern mysteries seem less Roger Ackroyd and more Raskolnikov.

Besides, one of our greatest poets liked mysteries. So, I’m with you, William Butler Yeats.

--Richard  Read More 

Be the first to comment

GASPODE, STREET DOG

First of Terry Pratchett's 41 "Discworld" novels, where Gaspode eventually appears



I often think about Gaspode, the terrier-like street dog in Terry Pratchett’s brilliantly funny “Discworld” novels.

It’s because Gaspode is so disreputably clever at making his way in his world, which is similar to our world, except that it is flat and rests on four elephants standing on the shell of a vast turtle, swimming in nothingness. Discworld’s dwarfs and trolls despise each other, and its humans disdain all minorities, especially vampires and werewolves. Slums are super-slummy. And a filthy little dog gets no lunch unless he wangles it.

Gaspode has a wangling edge: one night he slept beside Unseen University’s High Energy Magic building, and magical seepage upped his IQ and enabled him to speak. Nobody suspects a dog can talk, so people believe they’re hearing their own thoughts—“Oh, look at that poor little orphan doggie! I should give him half my sandwich!”

Gaspode appears in seven of Sir Terry’s 41 Discworld novels. He’s a lot like Homer’s hero, Odysseus, the only Greek among Troy’s besiegers who demonstrably has a brain.

Besides, Gaspode looks just like our friend Murdock, the west highland terrier who occasionally stays with us, when his buddy Eric is traveling. Also, whether your world’s round or flat, amusement is good.

–Richard  Read More 
Be the first to comment